Cut like a stone, built like an instrument. Designed with 2014 World Brewers Cup Champion Stefanos Domatiotis, the Gem took its diamond form from a lid that guides every pour to the center. Heavy porcelain, twelve ribs across, twelve ribs down. First shown in Shanghai, 2019.

Some editions are made for a city. This one was made for an origin. The Brasil kettle debuted at World of Coffee 2018, a nod to the country at the root of the cup. Never produced again.

Brushed steel, cork, and wood, packed into a black hard-shell case. A gooseneck kettle and two steel cups made for brewing where the trail ends. One season only. Retired to the archive.

Aegean blue, set against white. The Parthenon in fine line above the Brewista mark, on a gooseneck kettle made in tribute to one city. A single edition for Athens. Now held in the archive.

A gooseneck kettle in sunflower yellow, finished with wood-grain detail. A glass server, dripper, and cup to match. Sunflowers and irises drawn from Van Gogh’s most recognized works, wrapped around every piece. Released once. Now part of the archive.

Use this text to share information about your brand with your customers. Describe a product, share announcements, or welcome customers to your store.

Clean Scandinavian white, interrupted by color. The Copenhagen edition paired a minimal gooseneck kettle with an illustrated mark in red, blue, and gold, carried across matching glassware and a cup. One city. One run. Off the shelf, on the record.

Drawn entirely by hand, line by line, by Marco. Our name rendered in ornate script, wrapped in shading and scrollwork, with lettering that continues up and over the lid. There is no edition number, because there is no edition. This is the only one.